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Kate Graham believed to have a perfect marriage, but after not touching her for months her husband Duke Fairbanks, who had an affair with her friend Diana Coles, demands a divorce. She waves the prenuptial-fixed sum of nearly a million dollars, so he lets her have the house temporarily while he lives on the yacht; his corpse is found there shortly after. An unknown man who claims he killed Duke ‘for her’ demands 10% of his vast inheritance. When her gay friend is arrested, without bail, she asks her lawyer to defend him. The killer orders her to have dinner, shakes the Seattle PD detective Paul Tannon, proves he knows her preferences, explains how he set Jim up and doubles his tariff to 20% now she has two lives to pay off. The unknown killer is actually a tax official called Mathis…
Vele can’t afford to buy the expensive medications for his father who has cancer. Desperate, he steals marijuana from some criminals, makes a cake with it and gives it to his father, hoping it will reduce his pain. His father’s health miraculously improves, but Vele is suddenly confronted by neighbors who demand the recipe for the “remedial” cake and by the criminals who want their drugs back.
In the follow-up to his first EPIX comedy special Please Be Offended, caustic comedian Jim Norton continues to push every hot button he can find… all in the name of a good laugh, of course. With his trademark self-deprecating brand of humor, Norton outrageously covers a wide range of topics that somehow all lead back to sex.
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure. Radu Jude (Aferim!) delivers an incendiary mix of unconventional form, irreverent humor and scathing commentary on hypocrisy and prejudice in our societies.
Jackie Chan stars as Asian Hawk, an Indiana Jones-style adventurer looking to make a fortune in exotic antiquities. After Hawk discovers a mysterious sword in Africa, a band of Satan-worshipping monks kidnap his ex-girlfriend Lorelei, demanding the sword as ransom as well as other pieces of the legendary Armour of God – a magical outfit dating back to the Crusades.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public’s demand for an overt display of mourning.
A mild mannered, single mother, Katrina Jackson (Angel Conwell), and A.D.D. sufferer, DeMarco Gamble (London Brown) are two admiring parents raising their daughter in cut off households. When DeMarco falls in elevate bearing in mind different girl, Vilisa Whitaker (Faune Watkins), and plans a Christmas Wedding; Katrina sets in motion a diabolical turn toward to spoil their fairytale wedding. Sean Patrick Thomas (Save the Last Dance), Clifton Powell (Ray) and Jason Weaver (Drumline) round out the cast.
In the mid-19th century, Senator William J. Tadlock leads a group of settlers overland in a quest to start a new settlement in the Western US. Tadlock is a highly principled and demanding taskmaster who is as hard on himself as he is on those who have joined his wagon train. He clashes with one of the new settlers, Lije Evans, who doesn’t quite appreciate Tadlock’s ways. Along the way, the families must face death and heartbreak and a sampling of frontier justice when one of them accidentally kills a young Indian boy.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
After years of success, Zaytoven still finds himself stuck in the middle of being a great producer and a mainstream producer, fighting for the #1 spot while keeping his principles intact. When Zay and his cousin Nuke get’s confronted by a ole friends widow, Trish played by “KASH DOLL”, demanding payment from her Husbands abandoned music royalties. The cousins find themselves yet in another bind. Trish convince her brother Rock played by “JOSIAH MCCORMICK” and up coming producer idol turned rival, Ryan played by “TROUBLE” to extort Zaytoven and Co. at all cost. Tested by fans, media, friends and even family Zaytoven maneuver through the fight of his life in this twisted; made up Hollywood fantasy we call entertainment. This dramatic story unfolds as two cousins once again navigate through the industry.
Performing for a packed house at Spreckels Theater in San Diego, comedian Patton Oswalt delivers a blistering stand-up set in his trademark blend of acerbic wit and unabashed silliness. His topics include a wide array of modern issues, from the future of our nation to daddy/daughter outings gone wrong.
